Creative Economy & Cultures of Production, Creativity & Cultural Labour, Cultures of Creativity, research

The Covid-19 crisis and ‘critical juncture’ in cultural policy: a comparative analysis of cultural policy responses in South Korea, Japan and China

Karin Ling-Fung Chau The Covid-19 pandemic has rendered the arts and culture sectors everywhere extremely vulnerable and put cultural policy under a serious common pressure. Seeing the pandemic as a significant event that has disrupted the existing institutions and discourses, many commentators are demanding a reshaping of cultural policy to cope with the crisis and… Continue reading The Covid-19 crisis and ‘critical juncture’ in cultural policy: a comparative analysis of cultural policy responses in South Korea, Japan and China

Audiences, Participation & Engagement, Creative Economy & Cultures of Production, Creativity & Cultural Labour, events

Future Festivals South Africa

Dr Roberta Comunian and Dr Jonathan Gross We are leading on a one-year project funded by the Arts & Humanities Research Council (AHRC). Future Festivals South Africa: Possibilities for the Age of Covid-19 is an international collaborative project developed in collaboration with Prof Jen Snowball, Delon Tarendaal and Fiona Drummond at Rhodes University (South Africa). It aims… Continue reading Future Festivals South Africa

Creative Economy & Cultures of Production, Creativity & Cultural Labour

Supporting the cultural industries using venture capital: a policy experiment from South Korea

Dr Hye-Kyung Lee On 24 March 2021, I gave a talk “Supporting the cultural industries using venture capital: a policy experiment from South Korea” in the CMCI staff seminar.  The talk was based on the findings of my fieldwork in Seoul in 2019, and my paper with the same title is currently being reviewed by a journal. The… Continue reading Supporting the cultural industries using venture capital: a policy experiment from South Korea

Audiences, Participation & Engagement, Creative Economy & Cultures of Production, Creativity & Cultural Labour, Cultures of Creativity, Media Industries

The Birth of the Creative Industries Revisited

Dr Jonathan Gross CMCI began life in 2002 as an MA in Cultural & Creative Industries. This led in 2007 to the launch of the Centre for Culture, Media & Creative Industries, becoming a ‘Department’ in 2010. We now welcome students from all over the world to our three MA programmes (and soon to our… Continue reading The Birth of the Creative Industries Revisited

Creative Economy & Cultures of Production, Cultures of Creativity, Representation

Practising Hope in the Netherlands

Dr Jonathan Gross Just three days after the UK left the European Union I travelled to Nijmegen in the eastern Netherlands. I was there to visit the HAN University of Applied Sciences, which holds an annual International Week. This is the opportunity for students to attend workshops offered by academics from across Europe and beyond. I… Continue reading Practising Hope in the Netherlands

Audiences, Participation & Engagement, Museum Curation, Representation

Chile: Doing research in times of social change

Catalina Urtubia Figueroa Just two months ago, Chilean president Sebastian Piñera stated in a televised interview that Chile was “an oasis in Latin America”, referring to its stable democracy and growing economy. On October 18th, it became evident that Chile was more likely to be a mirage when mass protests kicked off in Santiago due… Continue reading Chile: Doing research in times of social change

Creative Economy & Cultures of Production

Understanding And Supporting Creative Economies In Africa Conference

Sana Kim and Manfredi De Bernard On the 14thof November CMCI department hosted Understanding and Supporting Creative Economies In Africa, a one day international conference, which served as a closing event of the AHRC funded research network Understanding And Supporting Creative Economies In Africa: Education, Networks And Policyled by Dr Roberta Comunian (King’s College London)… Continue reading Understanding And Supporting Creative Economies In Africa Conference

Creative Economy & Cultures of Production

Reconceptualising the Public-Private Partnership in Cultural Policy: The Insights from the Historical Research of UK Film Policy

Takao Terui To fully understand the culture, media and creative industries, the public policy for them is a fundamentally essential issue. That’s why I have been exploring cultural policy as my doctoral research theme. I began to be particularly intrigued by the practices and history of UK cultural policy since I moved to Coventry and… Continue reading Reconceptualising the Public-Private Partnership in Cultural Policy: The Insights from the Historical Research of UK Film Policy